BETSY SILVERMAN
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BIO & ARTIST STATEMENT BELOW
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
"Seems Like Old Times", collage, 30" x 40", $4,800 SOLD
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
"Stanza", collage, 36" x 36", SOLD
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
"Head Out On The Highway", collage, 36" x 48", $ 6,000
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
"Back To The City", collage, 30" x 40", $5,200 SOLD
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
"Blue Skies Ahead", collage, 36" x 36", $4,600 SOLD
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
"Gotta Have Glam", collage, 40" x 40", SOLD
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
"Buoys & Things", collage, 30" x 24", SOLD
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
"Buoys Too!", collage, 40" x 30", $3,000 SOLD
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
"Boston Moves", collage, 36" x 48", $4,500 SOLD
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
"Art Noise", collage, 36" x 36", SOLD
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
"Blue Car", collage, 36" x 48", SOLD
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
"That's The Point", collage, 40" x 30", SOLD
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
"The Center Of It All", collage, 36" x 36", SOLD
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
"Bacco", collage, 40" x 30", SOLD
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
"Four Red Boats", collage, 30" x 30", SOLD
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
"Rock Lobster I", collage, 12" x 16", SOLD
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
"Rock Lobster II", collage, 12" x 16", SOLD
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
"Boston Coffee", collage, 30" x 40", SOLD
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
"Boston, You're My Home", collage, 36" x 36", SOLD
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
"Oldest Tavern", collage, 30 x 30", SOLD
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
"Swan Boat Love", collage, 30 x 40", SOLD
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
"Taxi Line Up", collage, 48 x 36", SOLD
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
"White Taxi", collage, 30 x 40", SOLD
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
"New England Boating", collage, 24 x 30", SOLD
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
"Rowing Season", collage, 30 x 20", SOLD
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
"Bostonia", collage, 36" x 48", SOLD
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
"Summer & Winter", collage, 30" x 40" SOLD
BIO
Working in a collage style that she calls “fragmented realism,” Betsy Silverman trains her eye upon discarded magazines – which she selects, cuts, and glues to a canvas, in order to transform the old images and text into unique, multidimensional portraits, still lifes, cityscapes, and representations of New England – especially the Boston area.
A graduate of Cornell University and the Rhode Island School of Design, Betsy holds a Master of Architecture degree and her work is infused with architectural sensibility – employing perspective, light and shadow, reflections, or the scale of various elements, so as to create a sense of depth and perspective.
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“I delight in the challenge of fashioning a new image, while preserving bits of the former representations found in the selected pieces of paper – their individual memories and histories. I choose each recycled paper remnant for its hue, value, saturation, image content (you will find Red Sox players and other regional or subject-matter references throughout my artwork), and textual relationship to the subjects of my work. Thus, each artwork comprises many layers of meaning – both literally and figuratively.”